Description:

QIANGLONG PERIOD, QING 款識:"大清乾隆年製"款來源 :山中商會舊藏。 拍品描述:茶葉末釉原名為廠官釉,似茶葉細末之色,故而得名,乃雍正時期督陶官唐英所創的重要色釉之一。雍正時期的 茶葉末釉,釉色偏黃,俗稱為「鱔魚黃」。而乾隆時期的釉色偏綠,俗稱「蟹殼青」。 清代內務府檔案曾記載乾隆皇帝多次過問廠官窯瓷器事宜,如乾隆三年六月,檔案記載「⋯⋯廠官窯葫蘆馬掛瓶、廠官窯六孔瓶、廠官窯四方雙耳杏元瓶、廠官窯收小雙環七弦尊、廠官窯太極紙槌瓶、廠官窯仿大獸面雙環大漢尊、廠官窯仿大腰圓天祿尊、廠官窯三陽尊、廠官窯小缸⋯⋯」,多是玩賞擺飾的器形。依據清宮檔案與傳世實物對照, 本品可能為此次御窯廠奉旨燒造的「廠官釉放大腰圓天祿尊」之一,其形扁圓符合「腰圓」之意,而西周盛酒容器即為清宮所稱的「天祿尊」。本品即為仿西周盛酒銅壺的形制,類似宋代《博古圖錄考證》中著錄的「周高克尊」( 圖4 ) 稍作變化,頸飾對稱雙􃱴耳,腹部飾凸起的革帶方框紋,造型莊重古雅,厚潤靜穆,釉面瑩潤,胎骨略厚。底有綠釉地「大清乾隆年製」三行六字篆款,為乾隆時期慕古創新的佳作。乾隆皇帝熱愛古代文化,他所訂製的一系列仿古器物,均體現了他對古代美學的嚮往。並親自撰寫《五瑞五器說》、《圭瑁說》等考證文章,組織編寫了《西清古鑒》、《甯壽鑒古》、《西清續鑒》等著錄內府所藏古代文物的著作,為宮廷工藝仿古提供了最適宜的範本。亦希望通過傳統儒家的禮樂來治理其疆域,將自己視為古代賢王,以禮治國,達到天下大同。參閱:1. 台北故宮博物院藏.清乾隆 茶葉末釉獸耳弦紋尊2. 清乾隆 茶葉末釉雙龍耳漢壺尊 北京匡時, 2010/12/4,Lot 0760,高51.4 公分,成交價:7,056,000 RMB。3. 清乾隆 茶葉末釉雙龍耳漢壺尊,香港蘇富比,2007/4/8,Lot 0727,高 50.8 公分,成交價:4,800,000 HKD。4.《博古圖錄考證》“周高克尊”圖出版:1.《Grand Exhibition of Ancient Chinese & Corean Works of Art》,山中商會,1934,編號621。2.《東洋古美術展觀圖錄》,山中商會,1939,編號168。

  • Dimensions: 51 cm Height

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